Intended for healthcare professionals

Tv TV

On The Edge

BMJ 2001; 322 doi: https://doi.org/10.1136/bmj.322.7278.114 (Published 13 January 2001) Cite this as: BMJ 2001;322:114
  1. Peter Byrne, senior lecturer in psychiatry
  1. University of Kent at Canterbury

    Black Dog, BBC1, Tuesday 9 January at 10 35 pm Secret Life of Happiness, BBC1, Wednesday 10 January at 9 10 pm All The Rage, BBC1, Wednesdays at 10 35 pm, 10 to 24 January

    The BBC has begun the year with a series of television and radio programmes, accompanied by internet information and booklets, that focuses on mental health issues. The ambiguously titled “On The Edge” season is a major initiative to inform the public about mental illness from a variety of perspectives. The principal theme of these programmes, everyday emotional wellbeing, is considered through a broad based approach spearheaded by the three core programmes listed above. All three are shown on the BBC's main television channel but differ in form and audience appeal.

    Figure1

    Why is life sweet for some and not others?

    Before launching the series of programmes, the BBC gathered existing prevalence studies to define the extent of mental health problems in Britain. The campaign addresses general issues such as stress, anger, and unhappiness in addition to targeting severe depression. Other subjects are covered by “tie in” programmes on television (Kilroy and Newsround), radio (Radio 1's Sunday Surgery, Radio 2's Jimmy Young Show, Radio 4's Woman's Hour, and Radio 5's Nicky Campbell Show), and on the web (www.bbc.co.uk/health/ote/). Its timing recognises both new year resolve and the gloom after the festive season.

    Figure2

    Cross country: All The Rage explores Britain's reputation as the angry man of Europe

    With the help of the mental health charity Mentality, the programme makers gathered together a disparate group of users and professionals last June to advise about content and strategy. Having attended this seminar as a representative of the Changing Minds (anti-stigma) campaign of the Royal College of Psychiatrists, and having seen all three programmes, I can affirm that they have kept to their brief. The programmes are highly watchable and substantially accurate. They seek to draw a clear, person focused picture of mental distress, but within the context of public ignorance of and antipathy to mental illness.

    Black Dog follows two articulate 30 year olds over six months, providing a video diary of their recurrent depressive episodes. As an observational documentary, its style is more Big Brother than Talking Heads. Stephen and Alison provide frank and at times harrowing accounts of their experiences directly to camera, with additional incisive commentary from their cognitive therapists. The tactic of normalising depression works well: these are not rock stars or “personalities,” nor do they conform to public stereotypes of the hapless and the helpless. At one point Stephen tackles public prejudice directly, citing stereotypes of maniacs and nutters and folk beliefs that mental illnesses are “not real” or a sign of weakness. The depiction of his mother's suicide when he was 10, and its effects on him over 20 years, is compelling television. This documentary will be a valuable resource for those bereaved by the suicide of a family member.

    Secret Life of Happiness has an intriguing premise—to present existing scientific knowledge about the nature of happiness. Not without irony, it is being screened at the same time as a Channel 4 programme, Living By The Book, which uses real people to live out the instructions of best selling self help books. This programme takes the conventional form of a Horizon-type documentary, with expert after expert presenting their happiness theories. Having disproved the conventional wisdom that money and physical beauty can bring happiness, the programme then examines genetics and relationships before concluding that achievable goals and laughter make happiness more likely.

    All The Rage uses fast paced imagery, pop songs, and real (if seething) people to explore Britain as the angry man/woman/child of Europe. The first instalment merely sets the scene (road, computer, and metropolitan rage) but suggests few solutions.

    This series, at least these core programmes, represents a sincere attempt to tackle complex subjects. Through inventiveness and a high standard of research, the programme makers have achieved their objectives. Mental health professionals could not deliver television of this standard, and to a mass audience. We should applaud and encourage those who can.

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