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Bertrand Russell
Routledge, £9.99, pp 208
ISBN 0 415 07918 7
In 1969, at the age of 17, and after eight
schooners of lager and a night of murderous vomiting to celebrate my
final matriculation exam, I left my home in rural New South Wales and
moved to a university hall of residence in the parental Gomorrah of
Sydney. In the room opposite me was an earnest man from Hong Kong, 10 years my senior, who late at night would tap on my door to invite me to
play chess and drink jasmine tea. He was studying for a PhD on the
mathematical philosopher Gottfried Leibnitz, and his room was full of
books with titles that both frightened and excited me at the prospect of all I would need to know now that, overnight, I was no longer a
child. On the first night I entered his room the title of one burnt
into my brain Such profanity promised to fit well with other unwritten books that
swirled in my callow head: Why I No Longer Live with My Parents;
Things To Do with Naked Girls; Mind Altering Drugs for Beginners.
I asked if I could read it, and I recall switching off my light at 3 30 am, drunk with excitement at the eloquent defilement that I'd just
consumed. Not since I'd wolfed down Lady Chatterley's Lover
in an afternoon at the age of 13 I'd been brought up in the high Anglican church, and God had been a
problem for me ever since I, at about age 10, had asked my parents,
"If God made the world, who made God?" The shackles of the afterworld fell off that night, and in rode the
exhilarating awareness that my gut level scepticism in fact had whole
tribes of authors to support it. Russell's book was soon followed by
Joachim Kahl's The Misery of Christianity: Or a Plea for a
Humanity Without God. This catalogued the horrors wrought in the
name of religion, while championing the values that many religions
wanted to claim as their own. Jean Paul Sartre's essay
Existentialism and Humanism consolidated the rift while securing the importance of taking responsibility for your beliefs and
values. It also gave me a French philosophical badge that I wore as an
undergraduate, along with my pretentious Gitanes cigarettes and taste
in excruciating films by Bresson, Renoir, Resnais, and Truffaut.
Russell's book, and much of what I learnt about his life, embodied two
of the most important things in my later life
Bertrand Russell's Why I am not a Christian.
after being handed it by a
conspiratorial librarian with pearls and hair in a bun
had I had such
joy from a book.
something that Russell now
informed me was the naïf's way of phrasing the argument from first
cause. The imperious canon from our cathedral was invited home for
afternoon tea to plug the dyke of the boy's worrying scepticism:
staring at me with that look, he said there was simply no need to keep
on asking the question
it all just started with God. "Sure
. . . right," I thought. Church for me had been the pageantry, the lusty singing on cold Sunday mornings, the scented mothers fussing with scones and jam after the service, but especially the chance to pash choirgirls after practice on Thursday nights. I'd
had little truck with the theology, and the stuff about heaven seemed
patent anthropocentric wish fulfilment, clasped to the bosoms of the
mostly aged parishioners who seemed determined to believe in it all.
passion for justice and
intellectual scepticism. It'll be in my own 17 year old's Christmas
stocking this year.
Simon Chapman Department of Public
Health and Community Medicine, University of Sydney, Australia
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