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Any relation between self worth and mortality is uncertain
| The first 150 words of the full text of this article appear below. |
Death in Hollywood
the subject of a paper in this
issue (p 1491)1
brings to mind the page turning
pleasures of Kenneth Anger's classic tales of a contemporary
Babylon.
2 3
The mixture of drugs, drink, sex, violence,
monstrous egos, gangsterism, speed, and madness is often most starkly
revealed in the premature deaths of (sometimes has-been) stars. The
suicides can be particularly indicative of the roller coaster nature of
fame: Albert Dekker wrote sections of the poor reviews from his last
film in crimson lipstick on his body before hanging himself; Lou
Tellegen stabbed himself with gold scissors engraved with his name,
surrounded by film posters, photographs, and newspaper cuttings from
his days of triumph; and Peg Enwistle jumped to her death from one of
the giant letters of the Hollywood sign (setting off a spate of copycat
leaps into oblivion). Among the better known suicides are (probably)
Marilyn Monroe and
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Israeli students are refusing to perform intimate examinations on anaesthetised women without their informed consent.